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Martin Atkins

If you’re a DJ or musician and you’ve ever dreamed of taking your act to the road, then you’ve probably read Martin Atkins “Tour Smart”. If you’ve never heard of this book, then run, don’t walk to your nearest bookstore and purchase this magical piece of literature; a comprehensive guide to going on tour. Literally a musicians Bible.

Martin Atkins, drummer for Nine Inch Nails and Pigface, will be here in San Francisco tonight for a free seminar at Biscuits and Blues. For the most helpful and accurate information on how to go big on tour, come listen to what this man has to say!

Tour Smart: Seminar with Martin Atkins (http://tssanfran.eventbrite.com)
Sunday, February 7, 2010 at 6:30pm

Biscuits and Blues
401 Mason St. 2nd Floor
San Francisco, CA 94102

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Haiti-Aid!

haitiaidFlyer

Don’t forget, tonight is the party to end all parties! The best lineup of San Francisco’s finest DJ’s including:

Bad Neighbors
Eric Sharp
Disco Shawn
Jeffrey Paradise
Nisus
Omar
Richie Panic
Shane King
Sleazemore
Sticky K
Tenderlions (DJ set)
White Girl Lust

Hosted by Trackademiks & Wallpaper
Photos by Parker Day

100% of the door proceeds ($10-$15) go to the Red Cross. While the Red Cross is not exactly the most honest of non-profits, this party will be sure to raise a hefty donation to help the food less, homeless and hurting souls in Haiti. The first 100 people through the door will get a free beer! So come early, bring your friends and lets show some support!

Saturday, January 30, 2010 at 9PM at the Mezzanine, 444 Jessie Street.

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DJ Excel

Ol’ head DJ Excel of Philly’s Skratch Makaniks crew is one of those rare DJs that possesses both insane turntablist skills and the rare ability to rock any party. After regrettably missing Edan’s set last week at SOM’s Change the Beat party (which was apparently unbelievable), I’ve been rabidly devouring classic hip hop sets in an attempt to make up for my absence on Tuesday.

Fortunately, DJ Excel just posted this gem up last week and it is sick. I just wish it were longer.

DJ Excel – Freedom of Beats (The Classics)
(more…)

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Not Another Haiti Post…

It’s fairly unnecessary to recap the events of Haiti’s devastating earthquake last week, in yet another tedious blog post. I’m sure you’ve heard the news by now (and if not, turn to a more credible organization for your facts, not a blog.) Truth is, the details of the ‘quake don’t matter nearly as much as the actions we take to help support the relief efforts.

We all wish we could jump on a plane and go volunteer, but those official guys keep saying the best thing we can do is donate. So, let’s donate…but how? Personally, I’m not too keen on the whole ‘Text to Donate’ deal, partly because I think AT&T are shiesters, and partly because there are much cooler ways of doing it. Here are a bunch of awesome ways you can donate:

Etsy Shop for Haiti

kringknitklamp

Etsy has teamed up with DoctorsWithoutBorders to create an Etsy shop of all donated items. 100% of the profits go to support DoctorsWithoutBorders relief efforts in Haiti. If you have items you would like to donate to the shop, send an email to etsyforhaiti [at] gmail.com for a copy of the donation guidelines. Click here to visit the Hearts for Haiti store.

(more…)

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Mix of the Month


2010 is but a few weeks old and already we’ve seen the release of a number of really bangin’ mixes. My favorite thus far is a tech-house mix from D.C. duo Nadastrom. Originally posted as a promo mix for New York monthly Flashing Lights, which includes Fool’s Gold’s Nick Catchdubs, Night Shifter’s Jess Jubilee and The Rub’s DJ Ayres.

Direct D/L from The Rub website
(tracklist after the jump)
(more…)

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Idioma

It was about two years ago that a friend and I, suffering from some mid-20s angst, decided to rent a giant SUV, drive up to Point Reyes (pic above), get high on mushrooms and “figure things out.” One thing we figured out is that Point Reyes is extremely cold. Another lesson was that driving giant, rented SUVs while high on mushrooms is kind of amazing (and maybe kind of dangerous, sooo… ummm….).

The soundtrack for that day was Broadcast – Tender Buttons. If I were to do it again (and don’t worry, I won’t), I might choose something like the new track “Landscapes” by Tim Paris project Idioma.

It’s that perfect ephemeral, atmospheric track that can make staring out your window into a profound experience. DFA’s Shit Robot has also contributed a tastefully drummed-up remix that thankfully leaves much of the original production alone.

Mellow out y’all:

Idioma – Landscapes

Idioma – Landscapes (Shit Robot remix)

White Mike

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Caligula

If there’s one thing Americans love, it’s 1st Century Roman-style orgies. It’s that unique mixture of old world hygiene, sex slaves and exotic STDs that you just can’t find at your typical contemporary “sugar party.” No one understands this better than bicoastal production team Caligula, made up of sometime San Franciscan Vin Sol and weirdo production duo Skin & Bones.

Their debut single “The Countdown” dropped on iTunes at the end of ‘09, and is now available all over the innertron. Buy here.

Here’s a sample (abbreviated tracks):

Caligula – The Countdown

Caligula – Main Line

And speaking of orgies, I DJ’ed one once. I’ve posted this story before on my original blog, but since I believe I had fewer than 5 followers (and 4 of them were my mom) here is that story again:

Swing Set

The venue was entered through an inconspicuous doorway in North Beach, down the block from The Hustler Club and across the street from The Hungry Eye, another strip club. I arrived 15 minutes early and was greeted by a thin man of about thirty, who, through a thick Russian accent, introduced himself as Ivan. The first room that I entered resembled the darkened lobby of an apartment building, with a stairway leading up to the right and another short stair leading down ahead of me. I was led down these stairs to a small room where a makeshift bar was set up on a folding table, behind which sat an attractive woman in her thirties who was playing bartendress for the night. She was also Russian and said that her name was Irina. Down another short set of stairs was a large room, dimly lit and featuring various ambient decorations – a laser light, ceiling drapes and a projector displaying the animated silhouette of a nude woman dancing against one wall. This was the room in which I was to play.

The DJ equipment was old and featured a technology (perhaps imported from Russia) that I had never encountered before. I am a vinyl DJ but the only equipment available here was a dual-CD player and an antique mixer. During a phone call earlier in the week, Ivan had asked me to bring “radio hits” and so I had burned a number of CDs featuring the hot club tracks of the day. Later on, I would realize that I should’ve clarified with him exactly which radio station he was speaking of when he made this request, as it would become clear that there was definite miscommunication.

After I was done setting up, an attractive older woman who introduced herself as Lana invited me for a tour of the top floor and I eagerly accepted. At the top of the stairs was another large room, with low ceilings and bathed in dim, red light. Following a circular path, we walked through a series of beds of various shapes and sizes, each separated from the next by translucent veils hung from the ceiling. At the far end of the room lay an enormous, round bed covered in pillows. This furnished island was not enclosed by veils as the others were, suggesting that this must be the orgy’s main stage. At the other end, there was a large shower with a removable head and no door — clearly installed as much for recreation as sanitation. As I toured around the room, doing my best to picture what it must look like at the party’s height, Lana explained to me in a somewhat apologetic tone who they invited to their parties and what the purpose of the parties was, as well as telling me that during the week the venue was used to make designer clothing (your typical seamstress by-day, orgy hostess by-night immigrant story).

After the tour, I returned to my station as DJ and, by that time, a few guests had arrived. The rules of the party stated that guests must attend with a partner; there were no singles allowed. As I began playing some mellow hip-hop and lounge music, couple after couple trickled into the room. They were generally well-dressed white men and women in their late twenties to mid-forties, with a few older gentlemen also in the mix — the Viagra in their systems causing more than their confidence to swell.

It was apparent early in the evening that the music that I had brought with me was not going to be well received by this older crowd. The hip-hop club bangers that I had in my small CD pouch elicited little more than stares and annoyed whispers from the guests that were now filling the seats that lined the room’s walls. Occasionally, a courageous young woman would rise from her chair and attempt to inspire the crowd to dance but, upon realizing the futility of her attempts, she would quickly return to her seat and continue staring. It became clear to me that here, more than anywhere else that I had played, the crowd was dependent upon me to inspire a sexual mood. If the women couldn’t dance, then they couldn’t entice men to approach them and without this approach, their admirable dreams of having sexual experiences with strangers in public might remain unfulfilled.

At some point, a fourth Russian entered the room and after quickly shaking my hand, explained in broken English that he was the owner of this building and that this was his party. Sensing the discomfort of his patrons, he forcefully volunteered some programming suggestions, shouting in a thick accent, “More fast! More loud!” And while I found this advice helpful, I was still unsure as to how to deal with my dearth of “fast” and “loud” selections as clearly I had not thought to bring them. Apparently sensing this, he pushed his way behind the DJ equipment and pulled out a book of CDs from beneath the mixer. He handed the book to me saying, “Here! Play this!”

Eager to halt the oppressive staring that was generally focused on the DJ booth and my failing attempts to rock the party, I loaded one of The Russian’s CDs and scanned through the tracks: Britney Spears, INXS, Pussycat Dolls, Clay Aiken, Fergie, etc. After swallowing my artistic pride, I transitioned into Beyonce’s “Naughty Girl” and, like magic, the floor began to fill. I followed this with Nelly Furtado’s “Promiscuous Girl” and then The Pussycat Dolls’ “Don’t Cha” and by now the chairs were empty and the dancefloor full. It was at this point that I committed to getting as drunk as I could. After filling up on Franzia, I continued the pop hit parade until I was interrupted by Ivan who shouted to me from the stairs that there was too much bass. Bass was pronounced like the fish and, while I thought I had caught a bit of a smell coming from the upstairs, I squinted my eyes at him not knowing exactly how I was supposed to correct that problem. He repeated the word “Bass! Bass!” and finally I realized what he was trying to say, replying, “Oh bass. Yeah, I’ll turn that down.”

Later on as I played a Jay-Z track, the elder Russian — whose shirt was now unbuttoned — approached the DJ booth and stated, “Some people have asked for some hip hop? Do you have hip hop?” He said this with an accentuated pause between the words hip and hop, asking as if he had never heard of the genre and wasn’t entirely sure that whoever had made this request wasn’t just speaking some nonsense. I shouted over Jay-Z’s voice that I thought I probably had some hip-hop and that I would play it next. He seemed satisfied and returned to the dancefloor to be assisted with the removal of the remainder of his clothing.

The Russian’s semi-nudity signaled a trend that was spreading across the floor as, emboldened by alcohol and cheesy pop music, the party-goers had begun to undress and aggressively grind on one another, however gracefully their aging bodies allowed them to. Breasts were made bare and eager hands searched their partners’ private parts as I tried to keep my eyes focused on the mixer and my CDs, aware that killing the floor at this point might inspire a sex-crazed riot. I couldn’t help but look up from time to time, though, and I had to laugh aloud at what I saw. In one corner of the dancefloor a squat man of about 45, who could’ve been mistaken for George Costanza, was dancing with a large black woman who stood over him by a good six inches. As they swayed back and forth to the music, George had his hands placed on her breasts, moving them slightly as if tuning a radio. She seemed mildly turned on by this and smiled stupidly at him. Similar partnerships were found about the room, with attractive women putting their sexiest moves on display as interested men danced awkwardly near them.

Around midnight, pairs began filtering out of the room, hand in hand, and disappeared upstairs. I found that I could accelerate this process by making sloppy transitions and playing offensive music, and this was easy for me to do as I was now very drunk. By about 12:30, the room was entirely empty except for a couple that was attempting to slow-dance to the Ying Yang Twins track that I was playing.

I decided that I was allowed a break at this point and so I went to refill my wine glass and use the bathroom. As I passed by the stairway leading to the top floor on my way, I heard a din of ecstatic shouts and moans and a sarcastic smirk appeared on my now-reddened face. I looked up the stairway but could see nothing and so, Ireturned to the dancefloor where I began to play Radiohead and DJ Shadow and whatever I felt like listening to for the remainder of the night. A few females reemerged in the room and — either exhausted from their experience or disturbed by what they had seen upstairs — sat quietly against the wall.

A little before 2 the room began to refill, although the energy level was noticeably lower. Ivan then came in with my payment for the night and granted me permission to leave. However, now enjoying myself because I was drunk and playing music that I liked, I stayed around for a bit and then put on a happy hardcore CD and walked out into the streets of North Beach.

– White Mike

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The xx

Oh hey, have you heard of these guys??

Okay well…. a couple new remixes have come out of late that you can add to your collection and they’re not bad. The first is a disco edit from Grand Theft — one half of Canada’s bottle service duo Team Canada. Second is a simple edit of the melancholic “Stars” by Skinny Friedman of The Philadelphyinz.

Who says dancing and crying can’t coexist?

The xx – Crystallised (Grand Theft remix)

The xx – Stars (Skinny Friedman edit)

– White Mike

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Shiny Toy Guns

LA-based and Grammy-nominated electropop act Shiny Toy Guns this past month released a remix album entitled “Girls Le Disko” that compiles the best of their remixes over the past few years, including reworkings by Boys Noize, Evol Intent and Kissy Sell Out, as well as trance names BT and Ferry Corsten.

Nadastrom and Hervé have more recently jumped on the bandwagon and spread their vocals over some ear-splitting electro goodness. LA duo Classixx also goes in, this time abandoning their typical synth-ey disco style for something with more wobble.

You can buy the album here. Enjoy:

Shiny Toy Guns – Rainy Monday (HervĂ© remix)

Shiny Toy Guns – Ricochet (Nadastrom remix)

Shiny Toy Guns – Starts with One (Classixx remix)


– White Mike

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Be Prepared: New Years and the SFPD

NYE Promoters and Venue Owners:

According to the CMCA (California Music and Culture Association), tonight the SFPD and the ABC are going to be focusing all of their efforts on NYE parties and events. They have planned a ‘zero tolerance’ policy on any ‘breach’ in conduct. This will be patrolled by both uniform and undercover cops. The CMCA is encouraging venue owners to “…carefully monitor the conduct of your patrons and of your employees.”

If any incident occurs, try to film it. This is the best evidence against improper patrol techniques used recently by the SFPD. If an incident occurs, fill out the form below and make several copies before the night is over.

DJ’s, VJ’s, Performers etc:

If your property gets seized, here are the steps you must take to get your equipment back:

  • Go to 850 Bryant Street, 2nd floor, room 101.
  • Get a form called Order to Show Cause [Why Property Should Not Be Returned] and fill it out. (You don’t have a case number yet, but you’ll need the police report number and list of property taken.)
  • Take the form to Department 18. (If you go from 9 to 10:30, the judge is not on the bench, but the Clerk is there. Tell them that you want to get seized property back. The Clerk may take the form from you and tell you to come back the next day, or tell you to wait to see the judge.)
  • The Judge will sign the form and give you a court date.
  • You will pick up the signed form, probably the next day. You’ll need at least 5 copies of it. There isn’t a place to do this at the Hall of Justice, though you can ask at the Clerk’s Office. You may have to go across the street to a bailbonds place.
  • Take the form to Room 101 and give it to a clerk to file it. They will stamp all the copies.
  • Take one stamped copy to the Police Department at room 475.
  • Take one stamped copy to the District Attorney’s Office at room 322.
  • If you can, get in touch with Attorney Ronnie Wagner, who handles these matters for the Police Department. Her number is (415) 553-1147. (Be very nice.)
  • Tell her why it is a hardship for you not to have your property and ask if she can get the stuff back to you before the hearing date. If not, wait for your hearing date.
  • Show up. Court doesn’t start until after 10A in Department 18, though it will tell you to be there at 9. When they call your case, if there is no opposition from Ms. Wagner or the DA’s office, you will get your stuff back that same day. Bring photo ID, and if you have it, proof of ownership.

(Thanks to Jennifer Garnick of the Electronic Frontier Foundation)

INCIDENT REPORT FORM V 1.2
GETTING YOUR PROPERTY BACK

Be safe, be aware, and have fun ringing in the New Year!

-Testarosa

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